A naive Canadian barber who knows US popular culture inside and out meets a flamboyant roadie who needs someone to drive her and her "brother's" corpse from Thunder Bay, Ontario to New Orleans. Chaos ensues after the barber agrees to drive her, the corpse, and the drugs stashed within all the way.

When two small town waitresses have had it with living an uneventful existence, they take to the Highway to find fun and adventure. It doesn't take long to find trouble instead and a quick change of plans points them towards the border. A chance meeting with a lone hitchhiker changes their plans again and this time they find themselves a day late and dollar short. When it comes to running from the law, you always have to be one step ahead...

A serial killer is on the loose, a frustrated cop is hot on his heels and a pair of young lovers happen to find themselves in midst of it all.

A teenage hitchhiker traverses a lonely mountain highway and begins to pick a mysterious radio broadcast rife with ominous reports of the near future.

This movie is a crime thriller. Suresh Gopi is a Research and Analysis Wing (RAW) officer who comes in disguise to a colony to investigate a bomb blast which killed 30 innocent college students. Bhanupriya falls in love with Suresh Gopi and the rest of the story revolves around how Suresh Gopi solves the case.

Hilary Harris’ nervy tour of Robert Moses’ New York hearkens back to the classic city symphonies of the 1920s but cut to fit the “go go go” energy of the new era. “The most exciting thing in film is movement,” Harris once wrote, and in Highway he shows why, shooting from a moving car for the road itself of its ramps, signs and overall pretzel logic. The film can be enjoyed purely as a riot of graphic forms, but at a deeper level Harris is revising the traditional panorama to capture the automotive experience of urban space. He peppers the expressway view with all manner of camera effects, but it’s finally his simple fascination with the changing shape of the road at speed that makes the screen come alive. Bronze medalist at the Brussels International Experimental Film Festival in 1958, Highway today appears a snappy detour between “On the Road” (published the year before) and the early films of the French New Wave (just around the bend). —Max Goldberg, fandor.com

Highway is a film of that escape which all of us yearn for. It is an attempt to see our own reflections in today’s time.

Two brothers embark on a journey in search of a mythical highway in Kentucky, which they believe will lead them to "marijuana nirvana."

一位陷入困境的年轻搭车客在一条偏远的山区公路上竭力摆脱一个致命的预言。

一段诙谐不羁的音乐，两辆决不普通的山地单车，怪叔叔级的动画大师在城郊小道上的比赛，这一切混合在一切会产生怎样的化学反应？林重行(Rintaro、铃太郎、林太郎)用充满大师范的镜头和教科书般的速度感表现告诉我们，这就是快乐，这就是动画。 时值2002年，《蒸汽男孩Steamboy 》正处于紧锣密鼓的制作中，我们敬爱的林重行与大友克洋进行了一场私人山地自行车竞赛，这场“充满友爱”的比赛事后被搬上银幕，制作成为这部六分一十九秒的短片，两位大师化身其中，这一切已经足够让动漫迷们从发梢兴奋到脚趾了吧。 短片在诙谐的Jazz乐中开始，两位大师在似曾相识的播报声中粉墨登场，妖魔化的造型让观众会心一笑。片子的开头部分略显平淡，只有充满张力的镜头彰显出此片不凡的出身，直到两分零二秒时字体奇丑的“You Fucking Foll !!”出现，好戏开演。二十秒后林大师率先按耐不住开始变身——看到那个蒸汽装置的造型时你想到了什么？从此剧情随着音乐迭起，而后归于平淡时，两辆单车与蒸汽车头合为一体，如此友爱的暗示又让你联想到什么？不用想了，蒸汽弥漫的画面中有温馨提示。 不得不说，将这么一个小品级题材制作成为一部酣畅淋漓的动画，需要一颗怎样举重若轻的心，短片像日记一般记载了两位大师的一段过往，那流动的线条与色块之间充斥着的是快乐、友谊、梦想……或许是林大师在对这个比自己年幼十三岁的天才动画人致敬吧，那非凡的速度感表现和无处不在的细腻描画不正是大友克洋的标识。 这其中，有多少是我们所缺失地呢。 2002年，林重行61岁，大友克洋48岁，两年后《蒸汽男孩Steamboy 》诞生，震动世界。 -from AnimeTaste LandwioR